Last Boss

Imagine yourself on a potent LSD trip, walking down a street where the asphalt beneath your feet shimmers with iridescent soap bubbles in electric oranges, radiant blues, and psychedelic pinks. Each bubble pops with a playful *pop*, sending trails of sparkling colors swirling around your steps. As you ascend a spiraling road that glows like a luminous liquid rainbow, you’re heading toward a snowy mountain that appears to have come alive. From your point of view, the mountain’s surface is an animated face: its snow-covered slopes form large, cartoonish eyes that blink with playful mischief, while a wide, exaggerated mouth stretches across the base, sharing jokes in a deep, resonant voice reminiscent of Bill Bailey. In your peripheral vision, the scene erupts into an even more intense psychedelic experience. Colorful fractals explode in intricate patterns, swirling and morphing in a hypnotic dance of light and color. Adding to the surreal adventure, quirky characters from *Alice in Wonderland* make appearances. The Cheshire Cat floats by with its trademark grin, occasionally vanishing and reappearing with a mischievous wink. The Mad Hatter and the White Rabbit engage in a whimsical tea party at the edge of the road, their antics adding a layer of absurd charm to the scene. Meanwhile, hidden among the colorful fractals and snowy terrain are Vietcongs peeking out from behind trees and rocks, their camouflaged forms adding a bizarre, playful twist. And in the midst of this vibrant chaos, an Indian baba sits serenely, meditating on a floating lotus, surrounded by glowing, fractal mandalas. The baba’s calm demeanor contrasts sharply with the surrounding psychedelic spectacle, creating a harmonious blend of humor, surrealism, and profound tranquility.